| Property | Value(s) |
|---|---|
| rdf:type | |
| acdh:aclRead |
fernando
|
| acdh:aclWrite |
fernando
|
| acdh:createdBy |
fernando
|
| acdh:hasAccessRestrictionSummary |
public: 56
|
| acdh:hasArrangement |
The collection contains 56 XML-TEI files, and 1 RelaxNG and 1 ODD Schema. Each file represents a physical volume.
|
| acdh:hasAvailableDate |
2024-11-26T11:26:34.929459
|
| acdh:hasBinarySize |
0.11 GB
|
| acdh:hasContributor | |
| acdh:hasCoverageEndDate |
1779-12-31
|
| acdh:hasCoverageStartDate |
1424-12-23
|
| acdh:hasDepositor | |
| acdh:hasDescription |
The Central Library of the Franciscan Monastery in Graz holds numerous choral sources from the beginning of the 14th century to the 19th century. These manuscripts and prints have received little research attention. Just under a third of the 56 sources date from the 14th, 15th and 16th centuries, two thirds from the 17th and 18th centuries, and thus form a strong, representative collection for the study of the Baroque chorale, which is little known today. The relationship between the Italian (printed) tradition and the Austrian manuscript tradition in the musical versions of antiphons and other chants for Franciscan feasts from the late Middle Ages to the 18th century should also be noted.
The existing local choral tradition of the Franciscan Order is still largely terra incognita, despite a good source situation. While the history of Austrian music in the imperial and monastic centres of the monastic orders is relatively well known, especially with regard to the figural music of the 18th century, much remains in the dark with regard to the liturgical-musical practice of the widespread mendicants and their clientele. The cataloguing and online publication of this corpus of sources can at least partially fill this gap and enable further research. The project was funded by the European Union's NextGenerationEU fund and the Austrian Federal Ministry of Art, Culture, Public Service and Sport. |
| acdh:hasFunder | |
| acdh:hasHosting | |
| acdh:hasIdentifier |
https://arche.acdh.oeaw.ac.at/api/1056604, https://hdl.handle.net/21.11115/0000-0014-431F-D, https://hdl.handle.net/21.11115/0000-0014-43A8-1, https://hdl.handle.net/21.11115/0000-0014-43B0-7, https://hdl.handle.net/21.11115/0000-0014-440B-2, https://id.acdh.oeaw.ac.at/ofmgraz/teidocs
|
| acdh:hasLicense | |
| acdh:hasLicenseSummary |
CC BY-SA 4.0: 56
|
| acdh:hasLicensor | |
| acdh:hasLifeCycleStatus | |
| acdh:hasMetadataCreator | |
| acdh:hasNamingScheme |
The XML-TEI-resources are named after the shelfmark of the corresponding physical object with the extension .xml, e.g. 'A64_41.xml' for the physical object with shelfmark A 64/41.
In contrast to the file names, the titles of the collections and XML TEI resources describe their content. |
| acdh:hasNumberOfItems |
56
|
| acdh:hasOwner | |
| acdh:hasPid | |
| acdh:hasPrincipalInvestigator | |
| acdh:hasRightsHolder | |
| acdh:hasSpatialCoverage | |
| acdh:hasSubject |
chant books
|
| acdh:hasTag |
TEXT
|
| acdh:hasTitle |
XML-TEI Documents
|
| acdh:hasUpdatedDate |
2024-12-06T09:11:13.149533
|
| acdh:hasUpdatedRole |
fernando
|
| acdh:isPartOf |
Available since 26 11 2024
Collection
The Central Library of the Franciscan Monastery in Graz holds numerous choral sources from the beginning of the 14th century to the 19th century. These manuscripts and prints have received little research attention. Just under a third of the 56 sources date from the 14th, 15th and 16th centuries, two thirds from the 17th and 18th centuries, and thus form a strong, representative collection for the study of the Baroque chorale, which is little known today. The relationship between the Italian (printed) tradition and the Austrian manuscript tradition in the musical versions of antiphons and other chants for Franciscan feasts from the late Middle Ages to the 18th century should also be noted.
The existing local choral tradition of the Franciscan Order is still largely terra incognita, despite a good source situation. While the history of Austrian music in the imperial and monastic centres of the monastic orders is relatively well known, especially with regard to the figural music of the 18th century, much remains in the dark with regard to the liturgical-musical practice of the widespread mendicants and their clientele. The cataloguing and online publication of this corpus of sources can at least partially fill this gap and enable further research.
The project was funded by the European Union's NextGenerationEU fund and the Austrian Federal Ministry of Art, Culture, Public Service and Sport.
The Central Library of the Franciscan Monastery in Graz holds numerous choral sources from the beginning of the 14th century to the 19th century. These manuscripts and prints have received little research attention. Just under a third of the 56 sources date from the 14th, 15th and 16th centuries, two thirds from the 17th and 18th centuries, and thus form a strong, representative collection for the study of the Baroque chorale, which is little known today. The relationship between the Italian (printed) tradition and the Austrian manuscript tradition in the musical versions of antiphons and other chants for Franciscan feasts from the late Middle Ages to the 18th century should also be noted.
The existing local choral tradition of the Franciscan Order is still largely terra incognita, despite a good source situation. While the history of Austrian music in the imperial and monastic centres of the monastic orders is relatively well known, especially with regard to the figural music of the 18th century, much remains in the dark with regard to the liturgical-musical practice of the widespread mendicants and their clientele. The cataloguing and online publication of this corpus of sources can at least partially fill this gap and enable further research.
The project was funded by the European Union's NextGenerationEU fund and the Austrian Federal Ministry of Art, Culture, Public Service and Sport.
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