Property | Value(s) |
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acdh:hasRelatedDiscipline | |
acdh:createdBy |
fernando
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acdh:hasRightsHolder | |
acdh:hasFunder | |
acdh:hasContributor | |
acdh:hasOaiSet | |
acdh:hasMetadataCreator | |
acdh:hasPrincipalInvestigator | |
acdh:hasAccessRestrictionSummary |
public: 35484
|
rdf:type | |
acdh:hasNumberOfItems |
35600
|
acdh:hasLicenseSummary |
Public Domain Mark 1.0: 17821 / CC0 1.0: 17719 / CC BY-SA 4.0: 60
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acdh:hasSubmissionDate |
2024-08-08
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acdh:hasSpatialCoverage | |
acdh:hasIdentifier |
https://hdl.handle.net/21.11115/0000-0014-43AC-D, https://hdl.handle.net/21.11115/0000-0014-43A5-4, https://arche.acdh.oeaw.ac.at/api/1056588, https://id.acdh.oeaw.ac.at/ofmgraz, https://hdl.handle.net/21.11115/0000-0014-4404-9, https://hdl.handle.net/21.11115/0000-0014-4335-3
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acdh:hasDepositor | |
acdh:hasHosting | |
acdh:hasPid | |
acdh:hasAvailableDate |
2024-11-26
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acdh:hasCoverageEndDate |
1779-12-31
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acdh:hasContact | |
acdh:hasCoverageStartDate |
1424-12-23
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acdh:hasUpdatedDate |
2025-03-12T10:06:34.677672
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acdh:hasCreator | |
acdh:hasDescription |
The Central Library of the Franciscan Monastery in Graz holds numerous chant sources from the beginning of the 14th century to the 19th century. These manuscripts and prints have received little research attention. Just under a third of the 56 sources date from the 14th, 15th and 16th centuries, two thirds from the 17th and 18th centuries, and thus form a strong, representative collection for the study of the Baroque chorale, which is little known today. The relationship between the Italian (printed) tradition and the Austrian manuscript tradition in the musical versions of antiphons and other chants for Franciscan feasts from the late Middle Ages to the 18th century should also be noted.
The existing local choral tradition of the Franciscan Order is still largely terra incognita, despite a good source situation. While the history of Austrian music in the imperial and monastic centres of the monastic orders is relatively well known, especially with regard to the figural music of the 18th century, much remains in the dark with regard to the liturgical-musical practice of the widespread mendicants and their clientele. The cataloguing and online publication of this corpus of sources can at least partially fill this gap and enable further research. The project was funded by the European Union's NextGenerationEU fund and the Austrian Federal Ministry of Art, Culture, Public Service and Sport. |
acdh:hasTitle |
Choral Manuscripts of the Central Library of the Franciscan Province of Graz
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acdh:hasArrangement |
The Top collection contains three subcollections: 'XML-TEI Documents', 'Master Images' and 'Derivative Images'.
The 'XML-TEI Documents' subcollection contains 56 XML-TEI-encoded files and 2 XML schemas, a file for each physical source. The collection 'Edited Images' contains rotated scans with a transparent background, while the collection ‘Original Images’ contains the unedited facsimiles developed from the digital negative. Each of the 'Master Images' and 'Derivative Images' collections contains 56 subcollections, one for each source. Each of these 112 third-level subcollections contains a TIFF image file for each page of the physical object. |
acdh:hasFunderLogo | |
acdh:aclWrite |
fernando
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acdh:hasOwner | |
acdh:hasLicensor | |
acdh:hasLifeCycleStatus | |
acdh:aclRead |
fernando
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acdh:hasNamingScheme |
The resources are named after the shelfmark of the corresponding physical object. The XML-TEI resources have the extension .xml, e.g. 'A64_41.xml' for the physical object with shelfmark A 64/41. Each third-level collection under Master Images and Derivative Images is named after the shelfmark of the physical object, e.g. 'A64_41' for the collection containing the images of the pages of the physical object with shelfmark A64_41. The name of the contained resource is supplemented by the pagination. For example, 'A-Gf_64_41-003r.tif' is an image of folio 3 recto of the manuscript with the shelfmark A 64/41. In contrast to the file names, the titles of the collections and XML TEI resources describe their content.
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acdh:hasUpdatedRole |
sstuhec
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acdh:hasBinarySize |
1001.8 GB
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acdh:hasUrl | |
acdh:hasSubject |
chant books
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acdh:hasLanguage | |
acdh:hasCurator |
Available since 26 11 2024
TopCollection
The Central Library of the Franciscan Monastery in Graz holds numerous chant sources from the beginning of the 14th century to the 19th century. These manuscripts and prints have received little research attention. Just under a third of the 56 sources date from the 14th, 15th and 16th centuries, two thirds from the 17th and 18th centuries, and thus form a strong, representative collection for the study of the Baroque chorale, which is little known today. The relationship between the Italian (printed) tradition and the Austrian manuscript tradition in the musical versions of antiphons and other chants for Franciscan feasts from the late Middle Ages to the 18th century should also be noted.
The existing local choral tradition of the Franciscan Order is still largely terra incognita, despite a good source situation. While the history of Austrian music in the imperial and monastic centres of the monastic orders is relatively well known, especially with regard to the figural music of the 18th century, much remains in the dark with regard to the liturgical-musical practice of the widespread mendicants and their clientele. The cataloguing and online publication of this corpus of sources can at least partially fill this gap and enable further research.
The project was funded by the European Union's NextGenerationEU fund and the Austrian Federal Ministry of Art, Culture, Public Service and Sport.
The Central Library of the Franciscan Monastery in Graz holds numerous chant sources from the beginning of the 14th century to the 19th century. These manuscripts and prints have received little research attention. Just under a third of the 56 sources date from the 14th, 15th and 16th centuries, two thirds from the 17th and 18th centuries, and thus form a strong, representative collection for the study of the Baroque chorale, which is little known today. The relationship between the Italian (printed) tradition and the Austrian manuscript tradition in the musical versions of antiphons and other chants for Franciscan feasts from the late Middle Ages to the 18th century should also be noted.
The existing local choral tradition of the Franciscan Order is still largely terra incognita, despite a good source situation. While the history of Austrian music in the imperial and monastic centres of the monastic orders is relatively well known, especially with regard to the figural music of the 18th century, much remains in the dark with regard to the liturgical-musical practice of the widespread mendicants and their clientele. The cataloguing and online publication of this corpus of sources can at least partially fill this gap and enable further research.
The project was funded by the European Union's NextGenerationEU fund and the Austrian Federal Ministry of Art, Culture, Public Service and Sport.
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